Hold me closer Ed it's getting dark, 2016La Brea Residency, Los Angeles
Hold me closer Ed it's getting dark, 2016La Brea Residency, Los Angeles
Hold me closer Ed it's getting dark, 2016La Brea Residency, Los Angeles
Antoine Donzeaud, Old People Love Me, 2016Plywood, acrylic, resin, spray paint, polyethylene
175.3 x 95.3 x 7.6 cm
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Hold me closer Ed it's getting dark, 2016La Brea Residency, Los Angeles
Hold me closer Ed it's getting dark, 2016La Brea Residency, Los Angeles
Hold me closer Ed it's getting dark, 2016La Brea Residency, Los Angeles
Antoine Donzeaud, I’m number one on your speed dial, 2016Plywood, acrylic, resin, spray paint, polyethylene, oil on canvas
202 x 95.3 x 7.6cm
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Hold me closer Ed it's getting dark, 2016La Brea Residency, Los Angeles
Antoine Donzeaud, Not the Loquacious Sort, 2016Plywood, acrylic, resin, spray paint, polyethylene
175.3 x 95.3 x 7.6 cm
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Hold me closer Ed it's getting dark, 2016La Brea Residency, Los Angeles
Antoine Donzeaud, You got to stop putting bacon on your list, 2016Plywood, acrylic, resin, spray paint, polyethylene, oil on canvas
202 x 95.3 x 7.6cm
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Hold me closer Ed it's getting dark, 2016La Brea Residency, Los Angeles
Hold me closer Ed it's getting dark, 2016La Brea Residency, Los Angeles
Antoine Donzeaud, Untitled (Her Curves) 1, 2016Plywood, gauze and thumbtacks
201.9 x 95 x 7.6 cm
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Hold me closer Ed it’s getting dark
Antoine Donzeaud, Isaac Lythgoe
The Cabin / La Brea Residency, Los Angeles, USA
April 24th - May 27th, 2016
Hold me closer Ed it’s getting dark, is a two person show by Antoine Donzeaud and Isaac Lythgoe of new works produced at the La Brea Artist’s Residency, Los Angeles.The show presents an immersive view of domesticity and desire. It’s title taken from Jim Carey’s liberated, everyman Stanley Ipkiss, as he lives out his pent up desires as the multifaceted, free speaking, Mask.
Works are utilised as dividers and furnishings, hierarchy’s regress. Donzeaud’s broken window paintings are John Divola in 3D and at once a nod to architectural redevelopment in progress. A bed, a snug, a lamp, chair, fruit bowl…
We are in a surrealist Home Depot. Lythgoe’s two sleeping Michael Jackson’s appear tucked up behind silk sheets. They are dreams of success and a posterised homage. A ladybug love nest acts out life’s cycles and interactions in real time. Forming relationships, eating, sleeping.
Demarcations of space are reminiscent of the sprawling scenes in Lars Von Trier’s Dogville, or MTV Cribs’ Snapchat rebirth. Part set, part stage, lines are walls and between them the echoes of desirous habitation.