| SHOWS | WORKS | TEXTS | CV |
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2009- |
2010 MFA with distinction, l’Ecole Nationale Supérieure d’Art de Nice, Villa Arson, Nice, FR |
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2005- |
2008 BFA, l’Ecole Nationale Supérieure d’Art de Nice, Villa Arson, Nice, FR |
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2007 |
Exchange program, UCLA, Los Angeles |
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2024 |
TBA, Spiaggia Libera, Paris, opening May 16 Art Brussels, April 25–28, 2024 |
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2023 |
Is something missing?, cur. MOTHER, FRAC Corsica, Corte Babele, Spazio Muza, Turin |
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2022 |
Are you okay please be okay, Solo show, Artorama, Marseille Ce qui emporte la décision, Ceysson & Bénétière, Paris |
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2021 |
La vie c’est bizarre, je le vois sur mes ami.e.s, Exo Exo, Paris Hestia, cur. Sacha Guedj, 55bis, Paris Indoor Images, Pas une Orange, Barcelone Las Palabras Azules, cur. Eladio Aguilera, Pas une Orange, Barcelone 21, Galerie Sebastien Lepeuve, Clichy La vie normale, Exo Exo, Paris So Close 2, Guido Romero Pierini, Paris |
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2020 |
Plates of the present, Centre Pompidou, Paris Transparent Barricade, Ashes/Ashes, New York Your friends and neighbors, High Art, Paris Attempt at rapprochment, Georg Kargl Fine Arts, Vienna Des Iles, MBL Architectes, Ivry-sur-Seine So Close, Guido Romero Pierini, Paris A l’endroit et à l’envers du temps, Solo show, Georg Kargl, Permanent, Vienna |
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2019 |
Garçon triste prolifique, Solo show, Les Limbes, Saint Etienne Spaced in lost, cur. Yvannoe Kruger, Galerie Charraudeau, Paris Mitch, Ike et Irene, Solo show, Exo Exo, Paris Le Grand Détournement, Ceysson & Bénétière, Paris La baie aux 2 lunes, cur. Leïla Simon, EAC Les Roches, Le Chambon-sur-Lignon Saturnine, Chicago Manual Style, Chicago Mémoire de Formes, cur. Master2 Paris I, Galerie Michel Journiac, Paris |
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2018 |
Old people love me, Solo show, Ultrastudio, Pescara Décadence, cur. Double Séjour, Franklin Azzi, Paris Une décision purement pratique, Solo show, Musée Vesunna, Périgueux Une décision purement pratique, Solo show, MAAP, Périgueux Une décision purement pratique, Solo show, Chapelle de la Visitation, Périgueux Losing interest, Solo show, Valentin, Paris Cross the Breeze, cur. Gabriele de Santis, Valentin, Paris Intoto, cur. Thomas Fougeirol, Fondation Ricard, Paris Recto/Verso #2, Fondation Vuitton, Paris, FR Hotel Europa, cur. Theo Mario Coppola, Felix Frachon, Bruxelles |
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2017 |
Two 4 One, cur. Romuald Demidenko, BWA, Zielona Gora Inventeurs d’aventures, cur. Gael Charbau, Villa Arson, Nice Summary, Valentin, Paris IOP, Jocelyn Villemont, Antoine Donzeaud, MonChéri, Brussels Pacing with Richard, Solo show, Nirox Foundation, Johannesburg The Plates Of The Present, So Far, Praz-Delavallade, Paris |
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2016 |
Show Divers, Valentin, Paris De 10h à 4h du matin, Solo show, Valentin, Paris GMT+0100, Curatron #6, Platform, Stockholm A thousand friends part 2, New Jorg, Vienna Dark Mimes, Ashes/Ashes, Los Angeles Hold me closer Ed it’s getting dark, The Cabin, Los Angeles Beau Lauss, Last Resort, Copenhagen A thousand friends, Solo show, Rupert, Vilnius |
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2015 |
Hometown Blues, Solo show, DASH, Kortrijk Doc 23.10-7.11, Doc, Paris (Idéale) Géographie, CAC Moulin du Roc, Niort Popup Monchéri, Galerie Valentin, Paris What is a Bird? We simply don’t know, Galeria Nicodim, Bucharest Needless to say I have some unusual habits, featuring Micah Hesse, Rivoli2 Foundation, Milan Check XXe, After Howl, Brussels Volumes, Berthold Pott, Cologne Outrage, Cité des Arts, Paris Raise high the roof beam, carpenters, Solo show, MonChéri, Brussels Perpetuum Mobile, Galeria Casado Santapau, Madrid |
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2014 |
The Political Failure, Galerie Valentin, Paris In The Clear, Caring, Curing, with Adam Cruces, Nam Project, Milan The Moon is a harsh mistress, Solo show, Valentin, Paris 173 East 94th Street / Chaussée de Waterloo 550, Middlemarch, Brussels Minimenta, curated by Jean Christophe Arcos, Galerie Bertrand Baraudou, Paris |
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2022 |
Art-o-rama, Marseille |
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2021 |
FIAC, OVR |
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2019 |
NADA, Miami |
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2017 |
FIAC, Paris ALAC, Los Angeles |
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2016 |
Art Brussels, Brussels |
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2017 |
Nirox Foundation, Johannesburg |
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2016 |
La Brea Residency, Los Angeles Rupert, Vilnius |
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2023 |
Bécourt, Julien, ‘Is Something Missing? Au Frac Corse : Névrose Bonbon’, Mouvement.net |
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2022 |
Crochet, Alexandre, ‘À Marseille, Art-o-rama à l’équilibre’, The Art Newspaper 28 juin 2022 Luquet-Gad, Ingrid, ‘À Marseille, une rentrée artistique en demi-teinte’, lesInrocks.com Gasnier, Maxime, ‘Art-o-rama : 10 artistes à découvrir’, The Steidz |
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2021 |
Interview, the Room Projects, Podcast Square Meters, Mars 2021 DUST : The Plates of the Present, Centre Pompidou, Paris, FR |
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2020 |
Boittiaux, Inès, ‘« Lonely » : ultra contemporaine solitude’, BeauxArtsMagazine.com Thiele, Inga Charlotte, ‘For A: In Remembrance of Things to Come (Le souvenir d’un avenir)’, HugoZorn.com |
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2019 |
Mémoire de Formes, Editions de Beaux-Arts, Paris, FR Ajan, Line, Interview, Figure Figure ‘The Big Diversion’, Pictures at an Exhibition, Artnews.com Kovler, Anna, ‘Saturnine’, Critics’ Picks, Artforum.com |
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2018 |
‘Une décision purement pratique’, Pictures at an Exhibition, Artnews.com Feature, Cactus Magazine #7 Saxby, Jessica, ‘The New Paris Scene: Reclaiming a Radical Past’, Elephant.art Morais, Pedro, ‘Nouvel âge d’or des lieux d’art indépendants’, Le Quotidien de l’Art #1482 Ackermann Julie, ‘Special Paris’, Beaux Arts magazine #406 Luquet-Gad, Ingrid, Feature, Duel Magazine #2 Ackermann, Julie, ‘Les laboratoires de l’art du futur’, LesInrocks.com |
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2017 |
‘Artist of the week’, interview, lvl3media.com All theTime at Work, Galeria Labirynt, PL Carrasco, Julien, Inventeurs d’Aventures, pointcontemporain.com Luquet-Gad, Ingrid, ‘L’avenir de l’art est dans le parking’, Numéro Art #1 |
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2016 |
‘De 10h à 4h du matin’, moussemagazine.it Luchet, Margaux, ‘De 10h à 4h du matin’, jeunescritiquesdart.org Pirovano, Stefano, ‘The ex post manifesto of the most talented art project in Paris’, ConceptualFineArts.com Romuald Demidenko, Vilnius at work, ‘A thousand friends’, newartcenter.info |
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2015 |
Lavrador, Judicaël, ‘Plasticiens, la génération débrouille’, Libération November 9th, FR DUST : The Plates of the present, Sonel Breslav, Blonde Art Books, NY Yerly, Sophie, ‘One Message Interview’, wefindwildness.com Idéale Géographie, Classic, Paris, FR Berland, Alain, ‘To be or not to be abstrait’, Mouvement Magazine #78, FR Toubas, Valérie, ‘Antoine Donzeaud, Folded Painting’, pointcontemporain.com ‘Raise high the roof beam, carpenters. Antoine Donzeaud’, curamagazine.com |
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2014 |
Boat People, Recit Editions, Paris, FR Luquet-Gad, Ingrid, ‘3e biennale de Belleville’, Artpress #417, FR The moon is a harsh mistress, dailyartfair.com Geerlings, Julia, ‘Le retour de Paris’, Metropolis M #4, NL |